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这(👠)部电(diàn )影以著名作(🚌)家兼记(😾)者(zhě )Mintu Gurusariya的自(🧕)传Dakkuan da Munda为(wéi )基(🎓)础。当(dāng )他是一名(🍉)(míng )年轻的(🛣)卡(kǎ )巴迪(🗂)球员(yuá(🌟)n )时，Mintu成为(wéi )吸毒成瘾(🌦)(yǐn )者。接(🏻)触(chù )毒品也将他(tā(🎚) )引入犯罪(😷)(zuì )市场。但(🉐)(dàn )今天(🤮)，他(tā )成了(👣)年轻(qīng )人(👁)及其家(jiā )人的灵(🗞)感(gǎn )，因为(🗣)他(tā )设法摆脱(tuō(🛵) )了他的束(🍝)缚，打破了(🤝)他与毒(🖕)品和犯罪(📃)的(de )关系。

A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

玄(🔀)(xuán )门掌门江(jiāng )元为(🖲)救元(yuá(🏪)n )都百姓，牺牲自己(jǐ(🔯) )将上古(🛳)妖(yāo )兽飞(🉑)天神(shén )猪(🗄)封印于其子江五(🧙)山(shān )体内(♓)。此(cǐ )后二(🚯)十年(niá(🎰)n )，江五山(shān )在山村长(⛎)(zhǎng )大，却(😘)因(yīn )自小长了(le )一条(🤼)猪尾(wěi )巴(🆒)，一直(zhí )被(🧒)同村人(🎋)视(shì )为怪(🚡)胎。某日，江(🔇)(jiāng )五山被同(tóng )村(🏽)人欺辱(rǔ(🤷) )，怒而变(biàn )猪头，因(🍚)(yīn )此被赶(🚩)出(chū )山村(👾)。怀疑自(📹)己撞邪的(🔉)江五山前(🛏)往元都，寻找改(gǎi )变(📍)自己之(🅿)(zhī )法。

藝術(shù )家自古(🤶)皆(jiē )寂(🚵)寞或許(xǔ(🚫) )是境界，人(💤)到中年(nián )萬事憂(🌷)則(zé )是現(📏)實。在畫室(❎)洋洋(yá(🏻)ng )灑灑呈現(xiàn )自由雄(🛬)風(fēng )的(🍿)裸男畫(huà )作令他一(😑)(yī )舉成名(🚈)，在家面對(🔨)(duì )前妻(🗳)懷着(zhe )新歡(🙇)骨肉、與(💏)女兒相(xiàng )處尷尬(⛸)卻(què )令他(🍢)一籌(chóu )莫展。貝(bè(🕝)i )蒙特的寂(😆)(jì )寞，在於(😡)(yú )如何(💤)在著(zhe )名畫(🔍)家與(yǔ )單(🥒)親爸爸雙重身份、(👵)藝術創(🏉)作與家庭生活之間(📿)取(qǔ )得(🕞)平衡。維羅(🍘)（《電影就(🏁)在(zài )街角》，35 屆）找(🏆)來(lái )合作(🦈)多年(nián )的(🐙)編劇兼(🗞)(jiān )美指好友對號入(✖)座，還原(🗳)藝術(shù )家有血有(yǒ(🏳)u )肉的矛盾(🏣)(dùn )本性，在(🔀)(zài )出世(⛽)與入(rù )世(💦)的兩難(ná(💝)n )外，毋忘(wàng )點點超(⛷)現實的幽(🐰)默。

The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes from skiffle to rock and roll and the creation of the Mersey Beat sound.

鲁妮·玛(mǎ )拉(🥎)加盟布(bù(👓) )拉迪·科(🏟)(kē )贝特(⏳)执导(dǎo )的(🚌)新片《光之(🥝)声》(Vox Lux，暂译)，格莱美提名(😚)女歌手(🏬)Sia将为该片创作歌曲(😰)。新片将(♐)采(cǎi )用65毫(🏽)米大(dà )格(📍)式胶片(piàn )拍摄、(🙂)70毫(háo )米大(💪)格式(shì )胶(🚁)片放映(💉)(yìng )。故事讲(jiǎng )述从1999年(📜)至(zhì )现(💊)在十余年间，一个(gè(🎬) )经历动乱(🍂)(luàn )浩劫的(🍴)女(nǚ )人(✒)如何摇(yá(🌘)o )身一变成(📕)(chéng )了超级明(míng )星(👜)。影片(piàn )将(🐳)于2017年2月(yuè )开拍。

2018年(🏳)12月9日，首届(👱)(jiè )海南岛(🥔)国(guó )际(📩)电影节(jiē(🏟) )国际影展(🧐)(zhǎn )开幕式，在海南省(😉)(shěng )三亚(🐑)市大(dà )东海广场(chǎ(🏝)ng )沙滩举(🍶)行。为推进(🕓)海南电影(👱)产业发展、实现(🧚)本土(tǔ )化(🔶)与国际(jì(➿) )化兼顾(🌠)的(de )格局，此(cǐ )次国际(😕)影(yǐng )展(⏭)还特别(bié )开设了“海(🙍)南新力量(🖍)”展映单元(🙃)。该单(dā(🎲)n )元公开征(🔫)(zhēng )集到海(🕘)南(nán )作者、海(hǎ(🐊)i )南制作的(🗒)(de )影片共七(qī )十余(🤬)部。选出《藏(🏼)(cáng )北密岭(🔙)—重返(🏪)无人区(qū(🔓) )》、《追(zhuī )梦(🌧)的黎族(zú )女娃娃》、(💢)《九号(hà(🌁)o )重案》、《焉知非(fēi )福(🎳)》、《侬婆(🕒)》、《无间》、(🏟)《余光童梦(🔣)》、《完人测试(shì )》、(⛰)《开(kāi )着房(😰)车环(huán )岛(🔉)游》共(gò(⛑)ng )九部优秀(xiù )作品。开(🙈)(kāi )幕式(📉)中，著名导演谢飞、(😚)黎族女演(👃)员谭(tán )小(🙊)燕共同(🌷)(tóng )为影片(🏏)代(dài )表颁(📽)发了(le )入围证书(shū(📅) )。

一位被(bè(🙄)i )誉为“神(shén )龙大仙(🤚)”的少年龙(🕖)九郎，自上(👖)(shàng )次他(🏯)求雨(yǔ )成(🐦)功后镇(zhè(🐺)n )上的民众(zhòng )深信他(🐠)拥(yōng )有(🐚)法力，把他视为(wéi )神(🌈)灵。眼(yǎ(🚬)n )看旱季又(🎎)到，龙九郎(📐)却心神不宁， 原来(🗜)他根本不(👧)(bú )会什么(🏒)法(fǎ )术(🐔)，上次(cì )求雨成功(gō(🐯)ng )完全就(🌭)是(shì )靠运气。他决定(🤮)连(lián )夜逃跑，却被村(🕯)民发现(🍖)狂追。在悬崖边(biān )，龙(😗)九郎(láng )被村民包(🎽)(bāo )围，突然(🌌)(rán )一道黑影(yǐng )出(🐰)现在他(tā(💷) )面前，是(shì(🔤) )一个三(🏯)十多岁的男人(rén )，还(😗)未做(zuò )出反应男(nán )子抓住(🌈)了(le )龙九郎的(de )胳膊，只(🤹)(zhī )见两(🧚)道 黑(hēi )影(🚉)从人群(qú(📕)n )中极速闪过，两人(🌄)消失的无(🎶)影无踪。

ユミは夫(🚻)と娘の３人(rén )暮ら(🏃)し。近々(🔹)引っ越しを考(kǎo )え(📨)ている。ユミは娘の(🤱)レイナ(🤱)が時折うわ言を発(😜)(fā )することが、(🦋)少々気に(⛽)かかっていた。転(⚫)居の報告(🤕)も兼(jiān )ね(🥂)て友人(🥚)(rén )ヒロミと久々に(🏖)再会(huì )するユミ。話題はい(♏)つしか「あの日(rì(💼) )」のこ(🍊)とに。「私(🚕)(sī )たちが(💺)埋(mái )めた時、本(🎰)当に死ん(🦍)でたのかな？」(🔙)。ユミは「あの日」(🍎)のこと(🦓)を清算す(🌺)べく、サ(🚏)エ、アコにも再会(🚝)を決意(🎠)し、廃墟のような(⏱)家に一(yī )人で住(🤧)むサエに(🚑)会(huì )いに行く。サ(🏌)エは、見(📚)知らぬ少(🍸)女が現(📥)れて娘(niáng )だと言っ(🦖)て聞かず、しばらく一緒(😮)に暮(mù )らしていた(🐎)が死ん(🕷)だこと、(🦗)そして少(🕛)(shǎo )女は死んだま(🏗)まその家(🌥)の３階に寝かさ(📵)れているというこ(👵)とを話(☝)し出す。(C)「(🧒)黄泉がえ(🐚)る少女」製作委員(🐉)(yuán )会